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Open City: A Novel, by Teju Cole
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A New York Times Notable Book • One of the ten top novels of the year —Time and NPR NAMED A BEST BOOK ON MORE THAN TWENTY END-OF-THE-YEAR LISTS, INCLUDING The New Yorker • The Atlantic • The Economist • Newsweek/The Daily Beast • The New Republic • New York Daily News • Los Angeles Times • The Boston Globe • The Seattle Times • Minneapolis Star Tribune • GQ • Salon • Slate • New York magazine • The Week • The Kansas City Star • Kirkus Reviews A haunting novel about identity, dislocation, and history, Teju Cole’s Open City is a profound work by an important new author who has much to say about our country and our world. Along the streets of Manhattan, a young Nigerian doctor named Julius wanders, reflecting on his relationships, his recent breakup with his girlfriend, his present, his past. He encounters people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul. “[A] prismatic debut . . . beautiful, subtle, [and] original.â€â€”The New Yorker “A psychological hand grenade.â€â€”The Atlantic “Magnificent . . . a remarkably resonant feat of prose.â€â€”The Seattle Times “A precise and poetic meditation on love, race, identity, friendship, memory, [and] dislocation.â€â€”The Economist
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Product details
Paperback: 259 pages
Publisher: Random House Trade Paperbacks; 1 edition (January 17, 2012)
Language: English
ISBN-10: 0812980093
ISBN-13: 978-0812980097
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
207 customer reviews
Amazon Best Sellers Rank:
#37,405 in Books (See Top 100 in Books)
One of the most remarkable books I've read in some time! At first, I was drawn in by the beauty of the style-- the gorgeous sentences alone are worth the read--but once you've made it some pages in to Open City, you begin to realize that you are not reading ABOUT a man walking through a city and a moment in culture and history; you ARE that man. Cole has the astonishing gift of understanding how to write movement through time and space so that it is not merely described but directly experienced. The book has many other excellent qualities, but it is this intimate understanding of how to manage cognitive cues in language that makes Cole's work and vision so extraordinary.
at the end of teja cole’s Open City, what becomes clear is that there is no ending. after following the reflections of julius, a bi-racial, german-nigerian, psychiatrist by day, as he wanders around manhattan by night, with walks an overseas trip in search of his european grandmother, in brussels, belgium, many of his reflections on death—the death of a former english literature professor, the death of a grandfather, and the last weeks in the life of the composer, gustave mahler—some sense of an ending, certainly, is expected.and, yet, it is at the end of this first-person confession, this open-ended narrative, to which the moral of the story is ‘life goes on’, that the form becomes evident. for not until the end can one know that there is no intended listener for julius, that the story stands as a personal undated journal by a man who spends quite a bit of time by himself, when he isn’t working, reading philosophy, essays, histories and european literature, attending non-mainstream movies, symphonic concerts, and art galleries and photography exhibitions by himself. an aesthete, a bit of a cosmopolitan.a long-distance relationship falls apart. by chance, on a manhattan street, he is recognized by the sister of a friend he knew in nigeria. she is in a new york biracial relationship. julius doesn’t appear to be looking for a relationship or bothered by sexual desire. he is comfortable as a solitude. he has friends in manhattan, but not close friends, and no romantic interests.during his walks, his color and african features attract the attention of black immigrants from africa and island countries, seeking camaraderie with him, from which julius maintains distance, while lending an ear to the stories of the immigrants who escaped violence, poverty, and oppression, and their struggle to succeed in the united states.in brussels, which became an ‘open city’ during world war 2, he meets university educated muslim immigrants who, unlike their counterparts in the united states, have no gratitude for their host country, express their displeasure for western culture, their experiences as immigrants, and tolerance for forms of islamic rule which would raise eyebrows if openly discussed in many western countries, even in this novel’s pre-911 setting.subtle queasiness pervades cole’s text, giving rise to the disturbing suspicion that julius is using his skills as a psychiatrist to cope for the lack of a fuller emotional and social life and avoidance of his own bi-racial history; that his predilection for the arts, juxtaposed against the social violence he encounters within the world through experience, media, and conversation, functions for him in a manner similar to how personal violence functioned for justin bateman in bret easton ellis’ American Psycho. credit cole’s control of tension for how Open City becomes counter-story to ellis’ novel, both novels exploring existential freedom within the city, questioning who are the free, and by what act of daring their freedom is won or given and maintained.the important difference between the two novels is the inclusion of black immigrants seeking sanctuary in open cities. a new addition to existential literature of violence.
I have been reading fiction of many kinds for many years, and Open City seemed to allow me to pass through a door I didn't know was there. I notice that many reviewers adore the book. For good reason, I would say. If you appreciate introspection, quiet meditations on history, architecture, art, and psychology, they are all here. Cole also has several very touching pieces of relationships that allow a different sort of depth to emerge in his writing. Yes, and then there's the writing itself. Beautiful, distinctive prose. I grew up in NYC and his descriptions of his walks through various parts of the city were haunting and vivid.We see the world through the eyes of a man of mixed race whose heritage seems to remain a problem he is unable to solve. Weread the description of a brutal attack he is subjected to by two young men. His reaction seems strangely muted, as are many of the feelings in the book. At one point he says "..sometimes it is hard to shake the feeling that ...there really is an epidemic of sorrow sweeping our world, the full brunt of which is being borne, for now, by only a luckless few." Perhaps the author and his main character are among them. He is also confronted with the accusation of a long ago rape but an African woman he had forgotten. Here again, he shows little reaction. Perhaps his tendency is to intellectualize, or aesthetisize. We don't learn enough.Some critics here and elsewhere take Cole to task for lacking a plot. True, but I never missed it. The book is interesting and soulful enough to do without it. The main character, Julius, is a resident in psychiatry. There are a few comments about his patients, about psychology generally. All of them are interesting but strangely undeveloped for man in this profession. But he has one great passage about a new head of the psychiatry department that all of us in the profession of psychotherapy should take to heart. He says: "And it was especially satisfying to me, with my stubbornly held and somewhat naive vision, as I approaches the end of my training, of what psychiatry really ought to be about: provisional, hesitant, and as kind as possible." (Amen!)There is much more, including a glowing account of attending a Mahler concert that is likely to stir a desire in most readers to listen to the music he names, whether they have heard it before or not. That's deep and powerful writing.The book is like a tapas meal one wants more of, but also some tastes that are only hinted at. There is a wish for more of thesedishes.
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